Відео

Тяжело , грузно. Ритмы затянуты , в попытке раскачать гипнотический маятник. Если бы я не слышал Вейнгартнера, мне бы определённо понравилось. Фуртвенглер безусловно прекрасен во всём, кроме Бетховена.

Dulce Dinu!🌹

I commenti sono tanti ma un unica verità in comune: la 9 di Beethoven estrae il meglio da tutti quanti la eseguono sicché nessuno rimane escluso dal successo

Now on Decca/Eloquence (Australia) CD.

Great! Tremendous!

Absolutely great conductor! 😊

чего вы со звуком сделали? ужас какой-то!

A gutsy muscular performance from the great Szell, no weak “period” band squeaking away for him. Brings Beethoven to life. 👍🏻

Simplemente prodigioso

こういう音色は今の時代ではもう出せないね。人類の一番暗い時代を生きた芸術家だちの悲壮的で純粋な演奏。

Finale devastador, cósmico, explosivo, sobrenatural, el sueño de Beethoven convertido en hostia que puede comulgar la humanidad

The performance is entirely devoid of that nervous tension that often exists in some Brahms performances. I think that’s why some people call Klemperer’s recordings “granitic”. He doesn’t caress the phrasing in the same way someone like Karajan would. It’s just absolutely straight.

please.. where are second and third movements?

grazie di nuovo

Beethoven was the Master of the Woodwinds !

Siento y pienso que esta es la versión más acertada de la obra del maestro. Sin prisa, con tempo exacto, accelerando dónde corresponde según la idea del Maestro, matices correctos. En fin, una simbiosis perfecta entre autor e intérprete

. 27:12 pausa.

最喜欢的指挥家富特文格勒演奏我最喜欢的交响曲，伟大的贝多芬！

Beethoben y Furtwangler mi combinación favorita. Se complementan uno al otro. Muchas Gracias por compartir esta obra maestra, patrimonio de la humanidad. ¡que triste la guerra en Ukrania y la barbarie en Palestina!.

une pure merveille inégalée

Bon là on s'incline et on écoute...!!!...

The greatest of all time

What a stunning performance. And what a beautiful remastering, so technically accomplished, perfectly equalised, allowing the BPO's sound to glow. The only thing holding it back is the pervasive (if sporadic) high level of flutter in the source tape, clotting the textures and hampering the flow, and the logic of Furtwängler's phrasing. But technology has come a long way in the decade+ since this painstaking transfer was made. There are now digital programs (e.g. "Capstan"), that can remove wow and and flutter to an astonishing degree. Maybe it's now time to give this otherwise-perfect transfer another remastering...

Bonjour, il me semble que la date de ce concert était le 30 mai 1953. Merci pour le partage 🙏 LIKE 👍

劇的で感動的なブラームスですね。

音質がほかの同演奏レコードより格段に良いですね。　ふくよかというかたっぷりどっぷりとした音質ですね。

Men's orchestra....terrible.

This is the finest, most fully realized and animated Eroica, and it has been magnificently remastered.

Непереносимая красота и боль в этой музыке. Великий Верди!

My favorite by far

holy shit, the first tutti I am already blown away....

When you listen to Furt conducting you always pay attention to the horizontal music progress. It always goes forward.

The best Brahms 1 ever! Klemperer was at his best in the German classics!

Fantastic sound quality for 1956...

When Klemperers tempi worked they REALLY WORKED. The opening is so much better at this tempo. More claustophobic. The woodwinds on this recording are fabulous. My only complaint ( with this and most other recordings ) is the clarinet in the third movement is too prominent . I dont think brahms intented the obligato to be a clarinet solo. A minor quibble. 23:56

E' incredibile come un gesto così brutto, innaturale e spesso asincrono abbia creato registrazioni ed esecuzioni memorabili. Nella musica ci troppe cose che non si possono spiegare...

Thanks.

Tne state of grace of two genius

REPOST FROM @roro2494 (comment 7 years ago). Movement One: 0:00 - 18:25 Movement Two: 18:45 - 30:55 Movement Three: 31:15 - 50:47 Movement Four: 50:49 - 1:16:47

The Suffering of the poor- The Storm- The Revolution- The internal conflict-Fear-Cry and Joy-THE HOPE- THE FIGHT AND THE STRUGGLE. ALL EXPRESSED IN THE ULTIMATE REVOLUTIONARY MUSIC OF BEETHOVEN.

ノイズがない上に音の切れもよくて素晴らしいです。ステレオだったら最高なんですけどね。

Eine solche außergewöhnlich schöne (und zugleich genaue) Interpretation der 6. von Beethoven habe ich bisher noch nicht gehört ...

Szell, Bruno Walter (Columbia), Karajan (BPO 1963), Bernstein (NYPO/VPO), Guilini, Levine (Philadelphia/VPO), Furtwangler, Kurt Sanderling (Dresden), Haitink (Concertgebouw) as starters

Our beloved L van B. How can someone with so much aggravation produce so much love in his music? I thank God for this man's faithfulness as he has touched so many millions and will continue to do so. A truly remarkable man.

Some of these earlier recordings - and this, surely, must be one of those, serve as a yardstick for quality against later ones. This has happened on more than one occasion. Possibly some of the modern approaches, whatever they are, don`t work as well as reasoning supposes. Also, digital tech doesn`t always deliver, by any means! I once heard a wonderful old recording of R. Strauss`s A.S.Zarathustra (spelling!) when , suddenly there was an awful several seconds of jumping forward many times and very rapidly! Guess what - it had been transferred on to a CD! Why not just play the original tape? Or even a decent record? It`s only going to sit in storage the rest of the time anyway. I had to turn off - I had lost the magic. On a final note - I don`t like having Brahms or any other composer being interrupted by a moronic advert telling me how to upgrade my computer by buying a new program! I really detest this interrupting of a great work which took thousands of dedicated hours of intense activity -- right from the composer to all the musicians who trained the other musicians who are performing -- plus the recording engineers etc etc! As I write, Whizz Kid is telling me how to play millions of tunes in five minutes using three chords -- or something like that. Interrupting Brahms - just for that! See what I mean? There! I have said it! Oh, and PLEASE don`t suggest I buy a non advert package -- that won`t work with me - why should I have to do that? Time for me to calm down, now. I DO hope you enjoy this Symphony - if you get a flippin chance!

감사합니다

20:28 remind me of the Love motif from Die Walkure

Sadly she died in the same year of this recording.

Самый высокий в смысле духовной подачи дирижёр. Магический, глубокий....божественный!

Immense et inégalable Furtwangler